Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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牛沒有上牙
要不是想看袁泉也是堅(jiān)持不了4集。 棄了。 槽多無口。 女主十年家庭主婦想要恢復(fù)執(zhí)業(yè)只需半個(gè)月。 就算不能好好還原職場,至少用詞應(yīng)該達(dá)到文字工作者的水平,不理解用才華兩個(gè)字來形容律師是什么原因。 袁泉最近播的劇質(zhì)量都好低,鬧心……