Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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乍一看以為是打著科幻外衣的情色片 再看看感覺(jué)有點(diǎn)想探討一些科技人倫 尤其是兩性親密關(guān)系的議題 好像還有點(diǎn)深度 最后發(fā)現(xiàn)可能是有些想法 而且一些表面模仿的還有幾分相似 裝逼也是有的 配樂(lè) 緩慢昏昏欲睡的節(jié)奏和唯美的畫面 可惜最后發(fā)現(xiàn)劇作的粗糙和演技的膚淺 像極了一個(gè)不甘于成為三流演奏者只能是個(gè)四流演奏者的殘酷事實(shí) 拍成長(zhǎng)篇實(shí)在撐不起來(lái) 雖然加上頭尾都不到90分鐘 拍成一個(gè)20分鐘短片可能會(huì)效果更好 比如愛(ài)死機(jī)那樣的 ps 最后不得不說(shuō) 沒(méi)想到stoya是對(duì)a