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當(dāng)前位置: 首頁(yè) 科幻片 造物的奇跡

造物的奇跡

評(píng)分:
9.0 推薦

分類:科幻片 其它 1925

主演:Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

導(dǎo)演:Hanns,Walter,Kornblum

劇情簡(jiǎn)介

Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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171.15.99.64
小杏桃核

對(duì)靳東演的這些千篇一律的精英形象審美疲勞了。劇情也很一般。

121.76.24.143
叢二

濃濃的迪士尼風(fēng)不過(guò)相對(duì)來(lái)說(shuō)唱歌部分算少的了而且也不突兀 最后有被感動(dòng)到流淚 希望我們所有人都能走出過(guò)去的傷痛重新找到愛(ài)

121.76.150.207
萬(wàn)圣魔女凌小靈

我的天吶,奔著看電影來(lái)的結(jié)果看到了別開(kāi)生面的辯論會(huì)。

171.13.236.8
楓之哀傷

真的很暴力。god has given me a gift. fight!!

171.10.214.38
自由發(fā)言

張律導(dǎo)演與“北京”這個(gè)空間的對(duì)話:“你越想捕捉什么東西的時(shí)候越是捕捉不到,你永遠(yuǎn)都不會(huì)滿意的。但至少,在經(jīng)歷過(guò)這樣的對(duì)話后,我覺(jué)得好像我的好奇心還在,我依然有那種以后還會(huì)跟這個(gè)空間發(fā)生關(guān)系的感覺(jué)。”

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