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Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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210.31.84.47
一份小確幸

薩瑪拉維文可真是瘦啊,毫無(wú)美感可言,整部劇中最美好的愛(ài)情故事是墨西哥老太和韓國(guó)老頭。#20230103

61.232.20.247
胖胖小企鵝2013

其他同類型劇粉沒(méi)有必要對(duì)標(biāo)白夜哈,白夜是什么行業(yè)標(biāo)桿嗎?

222.52.213.206
疊個(gè)千紙鶴

選擇了兩個(gè)真善美的案例,以為看完會(huì)難受,但其實(shí)不會(huì), 因?yàn)榈咨珳嘏?當(dāng)然,真實(shí)的人間大部分的故事不會(huì)這么美好。

139.207.110.24
水杯

太好看。和第一季兩種風(fēng)格 太美??上槭裁磘anya死了啊

61.236.236.224
陳文波

系列改編中最杰出的一部,大泉洋是靈魂人物,以前只認(rèn)可他諧星的才華,知道這部才感受到他自然收放的演技力。野村萬(wàn)齋在東方列車案中有點(diǎn)畫風(fēng)不合的角色性格,也在這部完美契合。

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