A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
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秋千索
讓窩看看是誰又在尊重世俗生活?是科長。聲畫對(duì)位的功底依舊扎實(shí),在第一節(jié)還使用了近年很流行的miniature set, 可惜前面建立的舒適和樸實(shí)的節(jié)奏無法保持,從呂梁文學(xué)季開始一路崩塌,“淺”為大弊。作家們對(duì)生涯的簡單講述不知道意義在哪。余華的部分又酸、又土、油得可怕,他還自覺自己很有趣,天啊,泥鍋文學(xué)就炒這種人的,我大平層都給你摳出來,噦