In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live.
一直以來，都很討厭那種《{#標(biāo)題55}》體式樣的電影，這樣的美學(xué)“舒適”，抽空了人、人和人組成的像，只剩了說話和不說話的符號；抽空了場景、行動和心靈，只留浮在表層的表層現(xiàn)實。《{#標(biāo)題56}》恐怕就是如此吧。我很期待在電影里看到作家們，凝視個體生命的精神史，或由他們的敘述牽引而來的人性思辨，除了那些刻意留下的畫外環(huán)境聲，給我失望之余的留底慰藉，其它，抱歉，沒有。上映了，還票錢，立此存照。
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案子編得有點不走心，幾十年了法政技術(shù)進(jìn)步了不少編劇卻退步了。幾對情侶之間完全沒有couple感。老是2到3倍速刷劇搞得我都不習(xí)慣正常人的語速了。