Each man kills the things he loves, but this “holf-man” just strives to save and protect — at the expense of himself. The gentle portrayal occasionally takes on a fairytale quality, but the repeated emphasis on inmates’ inability to adapt to freedom proves ultimately pessimistic.
米小kim
瑞典人是有自己的一套表演風格嗎,從頭到尾每個角色都不知道在想些什么,表情動作全都莫名其妙的